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Kimsooja


Kimsooja came to international fame in the 1990s following a P.S.1 residency in New York, during which she produced one of her most famous works, Bottari Truck, a video subsequently shown in numerous exhibitions and biennales. Bottari Truck featured a truck loaded with “bottari,” the Korean word for bundle, and traveled throughout Korea for 11 days. The bundles were made of bed covers, an item that touches the key moments of our lives – from birth and marriage to sickness and death.

Needle Woman, a video performance that shows the back of the artist as she stands in the middle of landmark avenues in cities around the world, further developed the concept of sewing towards abstraction bringing together people, cultures and civilizations. In a subtle way Kimsooja (b. 1957 in Korea), who works primarily in video, performance, installation and photography, has evolved into a premier artist in her discipline, addressing sensitive issues like migration, integration and poverty.

Kimsooja has lived in New York since 1998. Her work explores issues of the displaced self. She engages in a conceptual, logical and structural investigation of performance through an immobility that inverts the notion of the artist as the predominant actor. Besides allowing us to participate in their creator’s journey, Kimsooja's work is an invitation to question our existence, and the major challenges we face.



An International Forum on Buddhism and The Arts Today

Portrait of Kimsooja
Photographer Jaeho Chong, 2007

Left :
A Needle Woman - Kitakyushu, 1999
Single channel video projection
6:33 loop, silent
Courtesy of Kimsooja Studio

Right :
Lotus: Zone of Zero, 2008
Rotunda at Galerie Ravenstein, Brussels
Approx. 2000 lotus lanterns
Tibetan, Gregorian, and Islamic chants
Steel structure and cables
photo by Mikäel Falke
Courtesy of the Centre for Fine Arts
Brussels and the Ministry of Culture
Sports and Tourism, Korea
first exhibited in a different configuration at the Palais Rameau, Lille, 2003
Courtesy Dijon Consortium, © Kimsooja

Copyright © The Robert H. N. Ho Family Foundation